I get many comments asking “what’s the song at [insert time]” etc..

Normally I would say you should know AC/DC
better than that if you claim to be a fan.
Anyway, here’s a helping hand for the
not-that-hardcore-fan-yet fans:

0:00-0:15 is no song. Just one of many little solos Angus did between songs live.

0:15-0:45 is “Problem Child”

0:45-1:04 is “Dog Eat Dog”

1:04-2:50 is “Rocker” plus part of a solo in the middle of the song.
One of the few times Angus could go out to the audience
without all of them freaking out!

2:50-3:31 is “Sin City”

3:31-4:04 is like the first one, not a song.Though, Angus used to play this solo (often with slight changes) live after the song “Let There Be Rock”

4:04-4:30 is “Guns For Hire”

4:30-4:46 is “Dirty Deeds Done Dirt Cheap”

4:46-5:05 is “Back in Black”

5:05-5:58 is “T.N.T.”

5:58-6:36 is “Thunderstruck”

Duration : 0:6:36

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Duration : 0:3:40

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P.S. Thank you Andy for changing the way i view acoustic guitar playing and music in general!

Duration : 0:3:21

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Duration : 0:3:36

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Recorded at the Rainbow Theatre, London, 20 November 1974
Sound produced by Roy Thomas Baker and Mike Stone
Directed by Bruce Gowers
Produced by Arkadi De Rakoff

Procession
Now I’m Here
Ogre Battle
White Queen
In The Lap Of The Gods
Killer Queen
The March Of The Black Queen
Bring Back That Leroy Brown
Son And Daughter
Guitar Solo
Father To Son
Drum Solo
Keep Yourself Alive
Liar
Son And Daughter (Reprise)
Stone Cold Crazy
In The Lap Of The Gods….. Revisited
Jailhouse Rock
God Save The Queen

Duration : 0:2:24

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• Over the Rainbow – the judges | London Theatre Breaks

Technorati Tags: At, cold, crazy, live, Queen, rainbow, Stone, The

INTERVIEW TRANSLATION

Q: So your new album (the resistance) it’s been completely recorded between milan and the lake of como… you love our country, why you love italy??

A: It’s a beautiful country, we love to be here.. and our drummer Matt lives in como, so we built a studio in italy, we had a lot of fun…. you can have a lot of creativity!

Q: I know that one of you has an italian girlfriend, a psychologist… right?

A: Yeah, our drummer..

Q: what is better? clooney’s house or the drumme’s house??
A: I think George’s is better… it is huge….

Q: I had read that you love simphonic music, you have a 40 pieces orchestra here in Milan, why this mix between rock music and orchestral music?

A: the band had a kind of influence by the piano and artists such as chopin and rachmaninov so we tried tho take an orchestra to do something different from the past… it’s been amazing

Q: you talk a lot about apocalypse and real problems, your album came out on 9/11… don’t think is a coincidence
A. oh no it’s just a coincidence.. someone thinks about a conspiracy but we are in a different time, the world is different and there was no messages with the album release.

Thanks to himynameismartino for the script.

XAVI S.H

http://www.xavi-sh.com/

Duration : 0:6:50

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Duration : 0:1:52

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Duration : 0:1:58

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I believe the secret to smooth arpeggios is in the picking. A lot of guitarists have really fast hands with a lot of arpeggio shapes but no definition or tone. The pick and the attack on the strings have a lot to do with that, granted the left hand has a big part as well. Having callused fingers makes a big difference too. Most people angle their hand one way when sweeping up and another way when sweeping down. I hear this causing a slurred sound with no definition as well as causing difficulties with timing.
To correct this I started holding my whammy bar between my pinky and ring finger. This enabeled me to be able to feel what the strings tension and pick response would be if my hand didn’t adjust to the direction. Using the whammy bar as sort of a training wheel or crutch. The smooth and exacting motion of the whammy bar allowed me to focus on other aspects of the sound of my arpeggios. I began to pick very hard and agressive holding my hand strait and pushing through the strings, not over them. once I had the motion down I dropped the whammy bar and practiced the motion without it as I learned to keep the tone but ease up on the attack. The angle of your hand needs to be flat just like when you palm mute a rythm. The gradual angling comes from the fingers holding the pick. In my case the thumb and first finger. But, you don’t want to angle it very much because you will lose tone and dynamics. It’s up to you to find your own sound and limits on tone. Different guitars and different brains all sound different…ha!

This is a sweep picking exercize using major and minor 7th arpeggios up the diatonic sequence starting on the 1st chord and ending on the 4th then ending with some sweet bends and pentatonic riffs.

Enjoy!

Duration : 0:0:53

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Volker Scheidt:electric guitar school freiburg

http://www.e-gitarrenschule-freiburg.de

http://www.myspace.com/legatomovement

Music is always about joy and passion
not competition.

If you love guitars add me as a friend!
Please rate and comment. i will go back to your channel soon.
Thanks.

check my guitar collection

http://www.myspace.com/shredgitarrefreiburg

A little bit of a strange mix but that’s the way i like it.
in the beginning i play some arpeggios in the style of my favorite guitar players Becker and Friedman.
They opened so many doors for me when i was young.
I started listening to strange japanese music and also modern classical composers.
I know some people hate this style but i don’t care.I just play.
On the other hand there is a player i almost
forgot about.David Gilmour from Pink Floyd.
In the last year i was non stop working on my guitar teaching so at one day i was so exhausted.There i remembered that i always loved the solos and the mood of this great band and listened back.
This was just great and it helped me to get relaxed again.
hope you like the fast and the slow.
See you all my friends!

Duration : 0:1:54

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